6-7, Sydney, 1981, 6, 25 (colour illus.). Alec George, Look, 'Whiteley's 'inner paddock', pg. Gift of Patrick Corrigan AM 2004. Philip McIntosh. ), 81. His self-portrait was a bold, almost grotesque confessional. The exhibition includes nine phases of Whiteley's art: Early Works, Abstraction, Bathroom Series, Christie and London Zoo Series, Lavender Bay, Portraits . It was his comment on the direction the world might be headed and his response to a seemingly pointless war which could end in a nuclear holocaust. The National Portrait Gallery respects the artistic and intellectual property rights of others. Jill Sykes, Look, 'Members events', pg. 2), 'The Archibald Prize', pg. unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). 'Brett Whiteley Self Portrait and Other Intimacies', pg. While in London, Whiteley painted works in several different series: bathing, the zoo and the Christies. Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whiteley was included in the 1961 group show 'Recent Australian Painting,' where his Untitled red painting was bought by the Tate Gallery. He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. Donated through. Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. 1945 LtGen Edmund Herring by William Dargie. 46. This is flanked on one side by a baboon howling with anguish as a ghostly hand delivers it a syringe, and on the other a photograph of the artist looking serenely normal. Rhana Devenport and Vaughan Rees, Art-i-facts, Book One: An exploration of art and design for junior secondary students, 'Structure in art and design', pg. Janet Hawley, Artists in conversation, Richmond, 2012, viii (colour illus.). It has been regarded as a self-portrait, a giant outpouring of energy and ideas brought forth over a long period of time. Review of 'WARNING: Smoking has been linked to some of the most powerful images of the twentieth century' exhibition, held at Mornington Peninsula Regional Gallery. Brett Whiteley is photographed by Robert Walker at. Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). Self portrait in the studio, 1976. . Shown in 22 exhibitions. Requests for a reproduction of a work of art or other content can be made through a Reproduction request. Brett Whiteley was born in Sydney on 7 April 1939. After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas. 34, Sydney, 17 Jun 1992, 34. unknown author., The Sydney Morning Herald, 'Mirror image a winner for artist Whiteley', Sydney, 22 Jan 1977, (illus.). Written shortly after Whiteley's Archibald & Sulman prize win in January 1977. (1974) The balcony 2 (1975) and Interior with time past (1976 . Anna Waldmann, Art and Australia (Vol. An audio version released by Audible in 2016 was narrated by Mark Seymour. His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. 22.). BRETT WHITELEY. Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. The exhibition includes 20 Whiteley works and traces the artist's life and career from his earliest painting Self Portrait at Sixteen, 1955 to just a few months before his death with Port Douglas, Far North Queensland 1992. 'Self Portrait in Studio' was created in 1976 by Brett Whiteley in Fauvism style. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. BRETT WHITELEY (1939 - 1992) SELF PORTRAIT, 1977 oil and hair on canvas 30.5 x 25.5 cm signed lower. Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. Dr. Virginia Keeney is photographed examining Whiteley's self portrait. Exhibition Commentary: Brett Whiteley at Bonython, Sydney. Brush and ink on brown paper 80.5 x 53.5cm. 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. 87-118, Sydney, 1991, 115 (colour illus.). While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. 2023 John McDonald. Unlike 'Self portrait in the studio, critics were divided about 'Art, life and the other thing, perhaps because of its sensationalism and lack of subtlety compared to the earlier work. Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). [21], Whiteley's home and workplace during the last four years of his life at 2 Raper Street in Surry Hills was converted into the Brett Whiteley Studio museum by the Art Gallery of New South Wales.[22]. 190-210, Cambridge, 1988, cover (illus. Closed Good Friday & Christmas day 272-275, Port Melbourne, 2010, 3 (colour illus. Art Gallery of NSW. See opening hours 'Appearing in the 'Time Out' section. Their only child, daughter Arkie Whiteley, was born in London in 1964. BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. A foundational moment in Whiteleys journey occurred while he was boarding at Scots College in Bathurst, New South Wales, when, one Sunday, he found a book on Van Gogh at St Stephens Presbyterian Church: I picked the book up and studied it it completely changed my way of seeing. His last studio and home - 2 Raper Street, Surry Hills in Sydney - is now a museum managed by the Art Gallery of New South Wales. Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 1985-1985. Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. 1927 Mrs Annie Murdoch by G. W. Lambert. In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. Unknown (Editor), Sun-Herald, 'The canvas of chaos - Brett Whiteley interview with Sam Newman', pg. This article appeared in the 'Arts Australian' section of 'The Australian' newspaper. ACKNOWLEDGMENTS; PREFACE; THE CHECK; JERRY; WESTERN UNION; COUNTRY LIVING; THE CB THIRTEEN MEN; GREAT PLAINS; TRAMPS; SALEM; THE FARM; SCHOOL; BE FRUITFUL; AUSTA; THE . 3, Mornington, 18 Apr 2006, 3 (illus.). Signed and dated upper c. verso, black fibre-tipped pen "/ brett whiteley/ 1975-76/ ". He was aware of the harm he was doing to himself with his drug addiction, but worried that giving it up might impair his creativity. Imagine an ideal studio space that would help you to create art. Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). Photograph of Whiteley's 'Self Portrait in the Studio' is taken "stored in the bowels of the Art Gallery of NSW", by Bruce Miller. He . Richard Hall (Editor), Sydney: an Oxford anthology, South Melbourne, 2000, front cover (colour illus.). unknown author., Sun news-pictorial, 'Brett wins art double', Melbourne, 22 Jan 1977, (illus.). (age36in1975). Self portrait in the studio Brett Whiteley 1976 1.1977 Winner - Archibald Prize 1976 On display . ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. Whiteley appears as a character in the book Falling Towards England by Clive James under the name Dibbs Buckley. 232-243, Sydney, 2000, 232 (colour illus.). In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 The artist destroyed this work after completion, finding it both disturbing and confronting. signed lower right: brett whiteley. Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. 13-35, Sydney, 1988, 32, 34-35 (colour illus.). [20] On 7 May 2007, Opera House, (which took Whiteley a decade to paint, and which he exchanged with Qantas for a period of free air travel) sold for A$2.8million, in Sydney. Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. Artists; A-Z Listing; Art movements; Schools and groups 1975 It was hanging beside a wonderful John Olsen, Five Bells (oil on hardboard, 1963) on the day i visited, which i thought most apt for the two were good friends. [25], In August 2018, Opera Australia announced that it had commissioned an opera to be based on the life of Brett Whiteley. Barry Pearce and Alec George, 9 Shades of Whiteley, '5: Portraits', pg. 17, Melbourne, Feb 2001, 17 (colour illus.). He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. This is the first time a Brett Whiteley exhibition has toured to regional Australia since the Brett Whiteley Studio opened in 1995. In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. 07 Apr 1939 40 years Kaldor public art projects 1961-2009 World events timeline ART GALLERY OF NSW / Kaldor public art projects explorer / WORLD EVENTS TIMELINE the 1960s was an Donated through the Australian Government's Cultural Gifts Program. Whiteley's tiny mirror self-portrait also reflects the influence of Eastern art in his portrayal of man as merely part of a larger landscape. 2023 Guardian News & Media Limited or its affiliated companies. This article was edited by Sally White. This work is such a significant piece it was an essential inclusion for the curator of this exhibition. oil and hair on canvas Susan Hunt, The Archibald Prize 1921-1993, Sydney, 1993, 23 (colour illus.). This photograph was taken by Andrew Rankin. The immediate effect was a heightening of reality in that everything I looked at took on an intensity That morning returning to school by bus, I remember the poplar trees were bare for winter but it took me years to paint what I saw. From the late 1970s, his self-portraits such as Art, life and the other thing 1978 began to trace his heroin addiction, which increasingly impacted his life and career.

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