A subject for our own age. [25], La traviata is the only one of Verdi's many operas to be set entirely indoors. "[19], The opera was first performed in France on 6 December 1856 in Italian by the Théâtre-Italien at the Salle Ventadour in Paris,[15] and on 27 October 1864 in French as Violetta (an adaptation by Édouard Duprez, older brother of the tenor Gilbert Duprez) at the Théâtre Lyrique on the Place du Châtelet with Christina Nilsson in the title role. The character of Violetta dominates the work and her music changes as she develops through the drama, from the hectic, almost hysterical coloratura of the first act, to the more dramatic passages of the second, and the spiritual quality of her music as she departs life in act 3. For her, love is an illusion, and she must simply live free and for pleasure alone (“Sempre libera”)—even though Alfredo’s declaration of love still rings in her ears. Directed by Brian Large. Unlike Il Trovatore, which was composed simultaneously, La Traviata is an intimate piece, full of tender lyricism. Alfredo sings of their happy life together (Alfredo: De' miei bollenti spiriti / Il giovanile ardore – "The youthful ardor of my ebullient spirits"). Her friends try to help her, but she insists that she will be fine and sends them all into the ballroom. – "You know this woman?"). Mezzo and Les Films Jack Fébus will co-produce the production recording {…} In October 2015, rising soprano Lisette Oropesa made her role debut as Violetta in a new production of Verdi’s La traviata at the Academy of Music, serving notice that this … Francesco Maria Piave was engaged to write the new libretto and the two men tried to come up with a suitable subject, but the composer complained that his librettist "had not yet offered him an 'original' or 'provocative' idea". They say their goodbyes just as the guests come crowding into the salon to make their own farewells. [10], The audience jeered at times during the premiere, directing some of their scorn at the casting of soprano Fanny Salvini-Donatelli in the lead role of Violetta. OperaBook - Platform for Performing Arts. Now Violetta laughs at him, and he chides her for being heartless. Of the primary cast members, only the soprano who played Violetta (Fanny Salvini-Donatelli) was adequate as a singer. In search of his son, Giorgio enters the hall and, knowing the real significance of the scene, denounces his son's behavior (Giorgio, Alfredo, Violetta, chorus: Di sprezzo degno sè stesso rende chi pur nell'ira la donna offende. The guests reprimand Alfredo: Di donne ignobile insultatore, di qua allontanati, ne desti orror! [3] La traviata has become immensely popular and is among the most frequently performed of all operas.[4]. (Verdi had previously attempted to persuade the manager of La Fenice to re-cast the role with a younger woman, but with no success.) Here, Gaston, Viscount of Letorières, introduces a new admirer to her, Alfredo Germont. Dumas, in his novel of 1848 and the play based on it, recalls an actual “lady of pleasure” (the scandalous Marie Duplessis) whom he had known and adored. De Van, Gilles (trans. As everyone is leaving the room, Violetta has asked Alfredo to see her. $12.99. Verdi was adamant that the opera be set in the present day (that is, the 1850s), with modern costumes. One subject was chosen, Piave set to work, and then Verdi threw in another idea, which may have been La traviata. But his provincial family is determined to break up the scandalous affair. Experience the joy and heartache of the world’s most popular opera, La Traviata, at Sydney’s best night out. La traviata (Italian pronunciation: [la traˈvjaːta]; The Fallen Woman)[1][2] is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. Gastone, meanwhile, urges the shy Alfredo to speak; Violetta pours him a glass of champagne as encouragement. But she concludes that she needs freedom to live her life (Violetta, Alfredo: Sempre libera – "Always free"). Dr. Grenvil tells Annina that Violetta will not live long since her tuberculosis has worsened. Practically speaking, the demands on orchestra and singers do not overburden the resources of even modest opera companies. Betsy Schwarm is a music historian based in Colorado. Let us know if you have suggestions to improve this article (requires login). (The first performance set in the period Verdi specified took place in 1906, after Verdi’s death and well after the setting could be called contemporary.). [14], The opera (in the revised version) was first performed in Madrid on 1 February 1855 with Maria Spezia-Aldighieri at Teatro Real, in Vienna on 4 May 1855 in Italian and in Barcelona on 25 October at Gran Teatre del Liceu. Verdi called the night a fiasco, yet he did not allow himself to be overly distressed, writing to a conductor friend, “I do not think that the last word on La traviata was uttered last night.” Within two months he was vindicated: the revival that opened May 6, 1853, at the Teatro San Benedetto in Venice, with more suitable singers and a few small revisions in the score, was an unqualified success. I Virtuosi dell'opera di Roma: La Traviata at St. Paul’s Within the Walls on Jan 2nd, 8:30pm Opera companies would not comply, insisting on setting the story in the early 18th century. The composer had already read the novel and had begun to conceive of an opera based on the story. – "Who erased the sea, the land of Provence from your heart?"). He toasts in her honor before the whole crowd. Suddenly, she almost faints and everyone jumps in to help, but she asks them to go away. Annina, the maid, arrives from Paris, and, when questioned by Alfredo, tells him that she went there to sell the horses, carriages and everything owned by Violetta to support their country lifestyle. Banda: Verdi did not fully orchestrate the parts of the on-stage band, but rather composed it in the style of a piano reduction, leaving the actual realization to the person in charge of the band. They see Alfredo at the gambling table. Alone, she looks at herself in the mirror and is shocked to see how pale she is. [16] It was first performed in the United States by the Max Maretzek Italian Opera Company on 3 December 1856 in Italian at the Academy of Music in New York. Rumor has it that he has been enquiring after her health every day. Verdi La Traviata Highlights The Rome Opera House Orchestra Vinyl Album LP 35822. With Ileana Cotrubas, Plácido Domingo, Cornell MacNeil, Ariel Bybee. The 2019/20 season kicks off in September with a new production of "La … "[7] But at the same time, the composer expressed concern about censorship in Venice, something with which he was very familiar after his dealings with the censors concerning Rigoletto. For Verdi, the years 1851 to 1853 were filled with operatic activity. Gastone and his friends join the matadors and sing (Gastone, chorus, dancers: È Piquillo un bel gagliardo Biscaglino mattador – "Piquillo is a bold and handsome matador from Biscay"). The lovers are reunited and Alfredo suggests that they leave Paris (Alfredo, Violetta: Parigi, o cara, noi lasceremo – "We will leave Paris, O beloved"). It was first performed on 6 March 1853 at La Fenice opera house in Venice. The love tragedy at the heart of the opera and its exploration of elements of contemporary life came to form the basis of the work’s success. Updates? Verdi was distraught, for he held on to the notion that the opera could be staged in modern dress—as Stiffelio had been done—Piave was sent back to Sant'Agata to no avail: he could not persuade the composer to back down on his insistence that another soprano be secured, yet the 15 January deadline for securing one had come and gone. La traviata (título original en italiano, que en español podría traducirse como La descarriada) es una ópera en tres actos con música de Giuseppe Verdi y libreto en italiano de Francesco Maria Piave, basado en la novela de Alexandre Dumas (hijo) La dame aux camélias (1852), aunque no directamente sino a través de una adaptación teatral. La Traviata is the only one of Verdi’s many operas to be set entirely indoors. Unfortunately, she was 38 years old and overweight. La Traviata’s sumptuous melodies and timeless depiction of doomed love have made the work a favorite of generations of operagoers. Alfredo misunderstands her apprehension and demands that she admit that she loves the Baron. Violetta, amused, cannot understand why and teases her lover, Baron Douphol, that he did not do the same. He is about to leave when she gives him a flower, telling him to return it when it has wilted, which will be the very next day. Gastone tells her that during her recent illness, Alfredo had inquired after her daily. Alone in her room, Violetta reads a letter from Alfredo's father telling her that the Baron was only wounded in his duel with Alfredo. La traviata tells the story of the tragic love between the courtesan Violetta and the romantic Alfredo Germont. When she replies that perhaps she does have a heart, he responds that if she did, she would not make fun of him, for he has loved her deeply for a year. Verdi attended the play in 1852 in Paris, where he was spending the winter. While walking to the salon, Gastone tells Violetta that Alfredo loves her, and that while she was ill, he came to her house every day. With growing remorse, she finally agrees (Violetta, Giorgio: Dite alla giovine, sì bella e pura, – "Tell the young girl, so beautiful and pure,") and says goodbye to Giorgio. Omissions? Total number of Liceu performances: 251. Alfredo joins them, admitting the truth of Gastone's remarks. The scale is intimate and bourgeois, not heroic or noble. Baron Douphol, Violetta’s former lover (bass), Flora Bervoix, Violetta’s friend (mezzo-soprano), Marquis d’Obigny, Flora’s lover (bass), Gastone de Letorières, Violetta’s friend (tenor), Doctor Grenvil, Violetta’s physician (bass). The Baron explains that he has known her only a year, but she retorts that Alfredo has known her only a few minutes. Violetta gives a note to Annina to send to Flora accepting the party invitation and, as she is writing a farewell letter to Alfredo, he enters. World premiere: Teatro La Fenice 06/03/1853. At a party she is introduced to Alfredo Germont, who has been fascinated by her for a long time. La Fenice had been clamouring for a new work; although the theatre would supply funding and performers, Verdi was afraid its singers would not do the opera justice. Flora tells the annoyed Baron that it would have been better for him to have kept silent. The opera uses an orchestra with the following instrumentation: 2 flutes (fl. She serves on the music faculty of Metropolitan State University of Denver and gives pre-performance talks for Opera Colorado and the Colorado Symphony... Get exclusive access to content from our 1768 First Edition with your subscription. However, within a short time, a synopsis was dispatched to Venice under the title of Amore e morte (Love and Death). He confesses that the moment he saw her, he was fascinated by her beauty and intelligence, though he has never had the courage to tell her. Free shipping . Time will tell. $8.25. Draw your own conclusions!" Unlike Il trovatore, which was composed simultaneously, La traviata is an intimate piece, full of tender lyricism. 45, for clarinet and orchestra (published Ricordi, 1865); in it, Lovreglio used the overture and several arias from the opera. Alfredo enters and expresses his concern for her fragile health, later declaring his love for her (Alfredo, Violetta: Un dì, felice, eterea – "One day, happy and ethereal"). Violetta returns home and receives an invitation from her friend, Flora, to a party in Paris that evening. Baron Douphol, Violetta's current lover, waits nearby to escort her to the salon; once there, the Baron is asked to give a toast, but refuses, and the crowd turns to Alfredo, who agrees to sing a brindisi – a drinking song (Alfredo, Violetta, chorus: Libiamo ne' lieti calici – "Let's drink from the joyful cups"). Violetta invites everyone to go to the ballroom for dancing but is stricken with dizziness. When he sees them, Alfredo loudly proclaims that he will take Violetta home with him. Last Liceu performance: 18/07/2015. The opera features some of the most challenging and revered music in the entire soprano repertoire; the aria “Sempre libera” at the end of Act I is especially well known. Based upon the 1852 play by Alexandre Dumas fils (La Dame aux camélias), the opera marked a large step forward for Verdi in his quest to express dramatic ideas in music. 4° Troubled beginnings and enduring success Verdi engaged Francesco Maria Piave to write the new libretto and sent the synopsis to Teatro La Fenice in Venice under the provisional title Amore e morte . Nevertheless, the first act was met with applause and cheering at the end; but in the second act, the audience began to turn against the performance, especially after the singing of the baritone Felice Varesi and the tenor Lodovico Graziani.

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